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L'oeuvre d'art à l'époque de sa reproduction numérisée

Abstract : The work of art in the age of its digitized reproduction Digitizing puts the finishing touches to reproductibility, which was already involved in mechanical and analogical techniques. Inspired by Walter Benjamin's aesthetic theories about that issue, we point out that digitizing changes deeply the relations between understanding and feeling, and our approach in terms of time and archives. These digital documents are considered as opus in a new meaning, as far as collective receiving conditions, but also the political author profile, are concerned with this tranformation. A complex situation is coming, with new creating possibilities, through traditional culture subversion, and towards new ways of publishing added-value.
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https://archivesic.ccsd.cnrs.fr/sic_00000302
Contributor : Yannick Maignien <>
Submitted on : Friday, December 20, 2002 - 4:21:56 PM
Last modification on : Tuesday, December 26, 2017 - 1:50:02 PM
Long-term archiving on: : Wednesday, March 29, 2017 - 10:45:24 AM

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  • HAL Id : sic_00000302, version 1

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Citation

Yannick Maignien. L'oeuvre d'art à l'époque de sa reproduction numérisée. Bulletin des bibliothèques de France, Ecole Nationale Supérieure des Sciences de l'Information et des Bibliothèques (ENSSIB), 1996. ⟨sic_00000302⟩

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